Wednesday, December 3, 2008
Monday, November 10, 2008
Wednesday, October 22, 2008
Sunday, October 19, 2008
3
I like this photo because it occurs to real life. This photo was taken as part of the "Document this! - A discussion about the trials & tribulations of documentary filmmaking. I feel this is a real life photo. People discussing issues not paying attention to there body movement. However, I do not like this photo because it is so dark.
2
Citizen Jane Film Festival 2008
Wednesday, October 15, 2008
Shutter speed
Depth of Field
Aperture
This photo shoot was not what was expected. As a class we were given a camera we have not ever used before. My group and I could not figure out how to use this camera even, after reading the manual and playing with the controllers. I did not get a chance to take a lot of pictures. This is our aperture picture. The picture we wanted was the shadows being and the trees but as you see it did not happen that way.
Saturday, October 11, 2008
Volleyball shoot 3
Volleyball shoot 2
The volleyball game shoot 1
Monday, October 6, 2008
Team Picture
Chantal, Laura and I are doing a picture that was inspired by a Beyonce photo I saw a my friends house. The photo is going consist of a model myself and a railroad. We want a natural background that was touched my human hands. I will take photos of just the background. We are hoping the viewer feels the fall atmosphere and love the photo shoot.
Sunday, October 5, 2008
Question and answer
I was wondering why she chose to take pictures of the africian culture. She said she wanted to show the other story. She know a lot of people judge and know of AIDS but she wanted people to respect their culture and what they stand for.
Monday, September 22, 2008
Edited theme I like
Theme I dislike
Object I like
Object dis like
Landscape I like
Landscape I dislike
Sunday, September 14, 2008
Secret Edited
I choose to do a direct approach for this photo due to all the organic shapes in the background.. I did not want the viewer to be confused. There is a lot of texture in this photo from the leaves to the metal pole. This photo is full of repetition from the the color, leaves and even the shapes. Like Zuckerman's photo the landscape is used like a frame drawing your eye the model. The leaves and branches going in different directions adds movement. The model wearing bright colors makes her stand out, but the contour of her coat balances her with the photo. The ambient light makes the image appear organic, like the model is in the middle of a rainforest. Overall, the picture was designed to be mysterious and make the viewer think beyond the image and not look at the obvious.
3 images
Before taking the photos I decided on three two terms I want the photos to represent: repetition and organic landscape. As you can see all three of the images have organic shapes. They all have ambient light making the picture appear natural. The photos were designed from a spatial perspective. All of the images have objects in them one can recognize fairly easy, for example the trees in all of the photos. The center focus in all of the photos is the model. The view eye moves due to the weird angles of the leaves and branches. In the first three images the trees frame the photos. Their is repetition in all of the photo which was the idea when deciding what picture to make.
Wednesday, September 10, 2008
Jim Zuckerman
Jim Zuckerman: Deer MS-653
Jim Zuckerman was born in Kent. Although, his date of birth was not released for public domain he is believed to be born in the sixties. Zuckerman’s first career goal was to become a doctor, but after a tragedy in 1970 he left medical studies. He is a professor at UCL and Kent State University. Zuckerman has written and released twelve books to date. He also has written articles and photo books. His teaches and works have been in scores of books and magazines including Time Life, National Geographic Society, Outdoor Photography, Omni Magazine, and thirty-two years as a contributing editor to Photographic magazine. Jim has also led both domestic and international photo tours for twenty-nine years to Africa, Asia, Europe, South America, and American Southwest.
The photo I have chosen from Zuckerman’s work is untitled. I personally like nature and natural pictures. When looking on Zuckerman’s website this picture caught my attention. The landscape connects the deer with the organic background, which allows the photo to balance equally. Zuckerman’s intentions were to make the deer the central focus of this photo, by angling the camera. He creates a vantage point, making the viewer focus on the deer. The grass and leaves creates a frame for the picture. Zuckerman takes a direct approach to the lighting. For the front lighting he uses the deer, the leaves and grass are his side lighting. Another remarkable thought from this photo is all the ambient light surrounding the deer, it almost makes the deer appear like its hovering. The white dots on the deer’s back generate texture and eye movement. There are a lot of geometric shapes from the circular arch in the deer’s back to the butterfly triangular wings to leaves organic shape. There are multiple repetitions throughout the photo from the grass to the shape of the leaves. Zuckerman photo is from a spatial perspective. He made a well-know object the deer appear superimposed over the background. Overall, this photo serves it purpose it make the view notice the innocence of animals and makes the view appreciate nature.
Jim Zuckerman was born in Kent. Although, his date of birth was not released for public domain he is believed to be born in the sixties. Zuckerman’s first career goal was to become a doctor, but after a tragedy in 1970 he left medical studies. He is a professor at UCL and Kent State University. Zuckerman has written and released twelve books to date. He also has written articles and photo books. His teaches and works have been in scores of books and magazines including Time Life, National Geographic Society, Outdoor Photography, Omni Magazine, and thirty-two years as a contributing editor to Photographic magazine. Jim has also led both domestic and international photo tours for twenty-nine years to Africa, Asia, Europe, South America, and American Southwest.
The photo I have chosen from Zuckerman’s work is untitled. I personally like nature and natural pictures. When looking on Zuckerman’s website this picture caught my attention. The landscape connects the deer with the organic background, which allows the photo to balance equally. Zuckerman’s intentions were to make the deer the central focus of this photo, by angling the camera. He creates a vantage point, making the viewer focus on the deer. The grass and leaves creates a frame for the picture. Zuckerman takes a direct approach to the lighting. For the front lighting he uses the deer, the leaves and grass are his side lighting. Another remarkable thought from this photo is all the ambient light surrounding the deer, it almost makes the deer appear like its hovering. The white dots on the deer’s back generate texture and eye movement. There are a lot of geometric shapes from the circular arch in the deer’s back to the butterfly triangular wings to leaves organic shape. There are multiple repetitions throughout the photo from the grass to the shape of the leaves. Zuckerman photo is from a spatial perspective. He made a well-know object the deer appear superimposed over the background. Overall, this photo serves it purpose it make the view notice the innocence of animals and makes the view appreciate nature.
Monday, September 8, 2008
landscape 2
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